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Motion

strange games

Burning Time

olio

Runway Invitations

Snow

Study of Form

Mid Century Modern

third place

NEUTRALS

Fierce Piercings

365 Poster Challenge

Pachamama

<n>Out of Office</n>, a personal illustration by <n>Pol Solà</n>, 2020.

The musical group <n>Feathered Sun</n> performing.

<n>ZO® Skin Health</n>'s <n>Complexion Clarifying Serum</n>. CGI by <n>REFERENCE</n>, photo by <n>Cason Latimer</n>.

AI-generated artwork depicting conceptual <n>Future refrigeration towers</n> in the style of <n>Rasquachetecture</n>.

The <n>DRACO seat</n> by <n>STUDIOVLACH • Thomas Vlach</n>.

Untitled, a 2013 painting by <n>Deenesh Ghyczy</n>.

<n>PORTE À HUBLOTS TYPE MEUDON</n> (1951) by <n>Jean Prouvé</n>.

<n>Shoji</n> lamp by <n>TISSILENT</n>, 2016.

<n>Cabbage Leaf</n> (1931), a photograph by <n>Edward Weston</n>.

<n>Fabrikstrasse 4</n> at the <n>Novartis Campus</n> in Basel, designed by <n>SANAA</n>. Photo by <n>Iwan Baan</n>.

The quality of conversation is a two way street. When we listen intently, we invite the speaker to invest more of themselves into the dialogue. We welcome them to speak more honestly, openly, and dare them to go places they might hesitate to move toward otherwise.  In a world full of distractions, hardly anyone is listening, meaning there’s less care in what’s being said.  If you want to walk away with something, let them know you can hear & understand them.

Interior of the <n>Vanna Venturi House</n> by <n>Robert Venturi</n> and <n>Denise Scott Brown</n> in Philadelphia.

An <n>Issey Miyake</n> ensemble from 1989, photographed by <n>Irving Penn</n>.

<n>Untitled</n> (2011), a sculpture by <n>Anselm Reyle</n>.

<n>Solid stone bathtub</n> designed by <n>Daro</n>.

Digital illustration by <n>Adrián Alberto Alva</n>.

A photograph by <n>Deanna Templeton</n> from her series <n>The Swimming Pool</n>.

A detail from <n>Sandro Botticelli</n>'s painting <n>The Three Graces from Primavera</n> (c. 1485-1487).

The Summer 2014 cover of <n>Mousse Magazine</n> features "<n>Orgasmic Man (10)</n>," a 1969 photo by <n>Peter Hujar</n>.

Artwork by <n>kooshgraphics</n>, used as album art for musicians including <n>K-Si Yang</n> and <n>Norman Perry</n>.

<n>Untitled</n> by <n>khayrallah Annous</n>.

<n>Carlie Trosclair</n>'s fabric installation, <n>envelop</n>, 2008.

Model <n>Camilla Nickerson</n> for <n>Vogue Italia</n>, February 1993. Photo by <n>Steven Meisel</n>, styled by <n>Joe McKenna</n>.

<n>Sea #2</n> (2016) by <n>Antonio Ballester Moreno</n>.

A still from the 1972 film <n>Architettura Interplanetaria</n> by the artist collective <n>Superstudio</n>.

DISTORTION by photographer <n>Theresa Maria</n> for <n>SOLA Journal</n>.

<n>Leonardo da Vinci</n>'s <n>Studies of the reflection of light from a concave mirror</n>, c. 1508.

'<n>Other People</n>' from <n>John Baldessari</n>'s <n>Goya Series</n>, 1997.

<n>A Study of a Peony II</n> by <n>Sara G. Silva</n>.

Portrait of model <n>Cleo Cwick</n> for <n>Peserico</n> by photographer <n>Alessandro Furchino Capria</n>.

Release visualizer for <n>UMAN</n> designed by <n>Alexis Jamet</n>.

<n>Up and Under</n> (1998), a land art installation by <n>Nancy Holt</n>. Photo by the artist.

A <n>Cartier Trinity Ring</n> for <n>Vogue Australia</n>.

Experimental typography for musician <n>A-Trak</n>'s live show, designed by <n>DIA Studio</n>.

Photo by <n>VeraKor</n> and <n>Ilia Chulkov</n>.

<n>Screen</n> (2000), a sculpture by architect <n>Russell Buchanan</n>.

<n>Secret Patio I</n>, an architectural visualization by <n>Aureus Studio</n>.

<n>Mount Semeru</n> and <n>Mount Bromo</n> in Indonesia, 1989. Photo by <n>Charles O’Rear</n>.

Photograph <n>Trajectories</n> by <n>Dani Guindo</n>, taken in Iceland.

Selected by Cosmos

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